Maltravieso. A hands sanctuary in Extremadura

Authors

  • Sergio Ripoll López Dpto. de Prehistoria e Historia Antigua de la Universidad Nacional de Educación a Distancia
  • Eduardo Ripoll Perelló Dpto. de Prehistoria e Historia Antigua de la Universidad Nacional de Educación a Distancia
  • Hipólito Collado Giraldo Dirección General de Patrimonio Cultural. Consejería de Cultura y Patrimonio. Junta de Extremadura
  • Martí Mas Cornélla Dpto. de Prehistoria e Historia Antigua de la Universidad Nacional de Educación a Distancia
  • Jesús F. Jordá Pardo Dpto. de Prehistoria e Historia Antigua de la Universidad Nacional de Educación a Distancia
  • Laboratorio de Estudios Paleolíticos Dpto. de Prehistoria e Historia Antigua de la Universidad Nacional de Educación a Distancia

DOI:

https://doi.org/10.3989/tp.1999.v56.i2.276

Keywords:

Palaeolithic rock art, Hands, Engravings, Aurignacian, Gravettian, Solutrean, New technologies

Abstract


The project of investigation carried out in the cave of Maltravieso has not only yielded a notable increase in the inventory of artistic depictions -hands, zoomorphs and ideomorphs- that are known in the cave, but has also produced some new information with regard to the chronological framework of the production of the various depictions, their phases'of execution, the techniques used in creating the figures, and the typology of the motifs. Another important contribution of our work has been the observation that mutilations of these hands do not exist. The supposed amputations, which have been commented on widely in the traditional literature, are nothing of the kind-they are simply an obscuring of the little finger, with the same pigment as was used to make the hand stencil.

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Published

1999-12-30

How to Cite

Ripoll López, S., Ripoll Perelló, E., Collado Giraldo, H., Mas Cornélla, M., Jordá Pardo, J. F., & de Estudios Paleolíticos, L. (1999). Maltravieso. A hands sanctuary in Extremadura. Trabajos De Prehistoria, 56(2), 59–84. https://doi.org/10.3989/tp.1999.v56.i2.276

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